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Rudolf Nureyev’s choreography:
Meet the Rudolf Nureyev Dance Foundation challenge.
This is an open call to dance companies - RNDF seeks proposals from professional
U.S. dance companies to faithfully restage Rudolf Nureyev's choreography for a
one-third to one-half evening performance.

| 1963 |
Le Corsaire |
| 1964 |
Swan Lake, (Variation in choreography at the
end of Act 1) |
| 1972 |
Sleeping Beauty |
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Romeo & Juliet |
| 1970-72 |
Don Quixote |
| 1964 |
Raymonda, (Spolleto Festival) |
| 1967 |
Tancredi |
| 1967 |
The Nutcraker |
| 1979 |
Homage to Diaghilev with the Joffrey |
| 1979 |
Manfred |
| 1980 |
Parade (with the Met, NY) |
| 1982 |
The Tempest |
| 1985 |
Washington Square |
| 1986 |
Cinderella |
| 1992 |
La Bayadere (with London Royal Ballet
1992 – Oct 8) |
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Bach Suite |

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Classification of the Ballets:
Here is a
list of Rudolf Nureyev ballets from a catalog of Rental Materials
published by BMB Bureau de Musique Mario Bois to keep alive, to preserve,
to broadcast and to protect the choreographic productions of Rudolf
Nureyev.
The choreographic works of Rudolf Nureyev are listed
alphabetically:
The large ballets (full night)
The shorter ballets (half night or less)
The Pas De Deux and one Solo
Symbols noted after each title mean that a
production:
*** is ready and available for mounting
** needs some preliminary preparation
* needs research before anything can be undertaken |
Click on the ballets listed below to
see film clips on the
www.nureyev.org website.
Full Night
La Bayadére
***
The Sleeping Beauty (La Belle au Bois Dormant) **
The Nutcracker (Casse Noisette)
***
Cinderella
(Cendrillon)
***
Don Quixote (Don Quichotte)
***
The Swan Lake (Le Lac des Cygnes)
***
Raymonda
***
Romeo & Juliet (Romeo et Juliette) *** |
Half Night
Manfred
**
Laurentia
*
The Kingdom of the Shades (Les Ombres)
***
Paquita
*
Tancredi
*
La Tempête
**
Washington Square
** |
Pas De Deux and One solo
Bach-Suite
***
Le Corsaire
**
Diane and Acteon (Diane et Actéon) **
The Flames of Paris (Flammes de Paris)
*
Gayané
* |
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All rights to the artistic works of Rudolf Nureyev are protected
internationally by law and are the property of the Rudolf Nureyev
Foundation whose exclusive agent is
BMB Bureau de Musique Mario Bois.
www.nureyev.org
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| Terms, Definitions and Procedures: A –
The Nureyev Choreographies are Legally Protected:
It has been established by law that a choreographic work is a “work of
authorship” under copyright law. Consequently, a choreographic work is
the exclusive intellectual property of its creator/author. This means
that the reproduction and distribution rights, the performing rights and
more generally the right to display the work publicly are protected no
mater where the work is performed and for the legal duration of the
copyright. The choreographies of Rudolf Nureyev have been registered and
are presently copyrighted. Their “live” performance as well as their
broadcast, recording or reproduction in any form is forbidden without a
written agreement with BMB, the exclusive representative of the Rudolf
Nureyev Foundation.
B – How to Proceed:
If a theater wishes to perform, a television station wants to
broadcast or a company (including filmed entertainment) wants to reproduce
or record a Rudolf Nureyev choreography, it must first contact BMB in
order to obtain a license for the production.
Repetitor:
The re-staging of any choreography can only be undertaken by one of the
ballet masters (repetitors) authorized by the Rudolf Nureyev Foundation.
The re-staging by repetitors not authorized by BMB is strictly forbidden.
BMB maintains an officially-established list of repetitors and, on
request, will gladly supply a potential licensor with a copy of this
list. Once a repetitor has been chosen, the licensor should then contract
with this repetitor directly for his or her services. This repetitor will
be responsible for keeping the ballet faithful to the original
choreography and production design.

Sets and Costumes:
The licensor must utilize the set design and costumes of the original
production. (In this respect, the licensor agrees to negotiate directly
with the production designer for his or her services.)
Orchestral Material:
If the music is copyrighted and consequently protected, it must be
requested from BMB. If BMB is not the music publisher, it will indicate
to whom the material must be requested. If BMB is the publisher, BMB will
contract with the licensor and supply the necessary material. This
contract will however only concern the musical rights.
Choreographic Rights:
BMB will negotiate a separate contract with the licensor stating the
amount of royalties with the Rudolf Nureyev Foundation is entitled to
receive for each performance, broadcast or recording of the production.
These royalties will be invoiced by BMB and payment should normally be
made directly to BMB.
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BALLETS OR MODERN DANCES
ASSOCIATED WITH RUDOLF NUREYEV
a list compiled by Wallace Potts
(??? - Not certain of choreographer.)
"The Nutcracker" (Nureyev or other versions)
"Swan Lake" (Nureyev or other versions)
"Le Corsaire" (Marius Petipa or other versions)
"Gayane" (Nina Anisimova)
"Laurentia" (Vakhtang Chabukiani)
"Paquta" (Nureyev or other versions)
"Diane and Actaeon" (Vakhtang Chabukiani)
"Taras Bulba" (Boris Fenster)
"The Flames of Paris" (Vassily Vainonen)
"Don Quixote" (Nureyev or other versions)
"Giselle" (Marius Petipa or other versions)
"The Sleeping Beauty" (Nureyev or other versions)
"Le Spectre de la Rose" (Mikhail Fokine 1911)
"Flower Festival at Genzano" (August Bournonville) ???
"Les Sylphides" (Mikhail Fokine or other versions)
"Prince Igor" (Mikhail Fokine or other versions) ???
"Poeme Tragique" (Frederick Ashton)
"Marguerite and Armand" (Frederick Ashton)
"Petrushka" (Mikhail Fokine)
"Images of Love" (Kenneth MacMillan)
"La Bayadere" (Nureyev or other versions)
"La Sylphide" (August Bournonville 1836)
"Romeo and Juliet" (Nureyev or other versions)
"Tancredi" (Nureyev)
"Paradise Lost" (Roland Petit)
"Jazz Calendar" (Frederick Ashton)
"Ecstacy" (Roland Petit)
"Apollo" (George Balanchine)
"Monument for a Dead Boy" (Rudi van Dantzig)
"Pelleas and Melisande" (Roland Petit)
"The Ropes of Time" (Rudi van Dantzig)
"Big Bertha" (Paul Taylor)
"Song of a Wayfarer" (Maurice Bejart)
"Field of Figures" (Glen Tetley)
"Aureole" (Paul Taylor)
"Book of Beasts" (Paul Taylor)
"Laborinthus" (Glen Tetley)
"The Moor's Pavane" (Jose Limon)
"Don Juan" (John Neumeier)
"Tristran" (Glen Tetley)
"Lucifer" (Martha Graham 1975 for Rudolf Nureyev and Margot Fonteyn)
"The Lesson" (Flemming Flindt)
"Moment" (Murray Louis)
"Blown in a Gentle Wind" (Rudi van Dantzig)
"Appalachian Spring" (Martha Graham)
"Night Journey" (Martha Graham)
"The Scarlet Letter" (Martha Graham)
"Four Schumann Pieces" (Hans van Manen 1975)
"Pierrot Lunaire" (Glen Tetley)
"El Penitente" (Martha Graham 1940)
"Hamlet Prelude" (Frederick Ashton)
"Faun" (Toer van Schayk)
"About a Dark House" (Rudi van Dantzig)
"Vivace" (Murray Louis)
"The Canarsie Venus" (Murray Louis)
"Konservatoriet" (August Bournonville)
"Scheherazade" (Mikhail Fokine)
"Ulysses" (Rudi van Dantzig)
"Le Bourgeois Gentilhomme" (George Balanchine)
"L'Apres - Midi d'un Faun" (Vaslav Nijinsky 1912)
"The Idiot" (Valery Panonv)
"Miss Julie" (Birgit Cullberg)
"Five Tangos" (Hans van Manen) ???
"Marco Spada" (Pierre Lacotte)
"The Tempest" (Nureyev)
"Bach Suite" (Nureyev & Francine Lancelot)
"Quelques Pas Graves de Baptistte" (Francine Lancelot)
"Phaedra's Dream" (Martha Graham)
"Washington Square" (Nureyev)
"Manfred" (Nureyev)
"Cinderella" (Nureyev)
"Two Brothers" (David Ezralow & David Parsons)
"The Overcoat" (Flemming Flindt)
"Death in Venice" (Flemming Flindt)
"Raymonda" (Nureyev or other versions)
"Hamlet" (Robert Helpmann)
"Apparitions" (Frederick Ashton)
O.K. Back to the top.
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